Emily Johnson / Catalyst: Danspace Project & New York State DanceForce Residency
In-residence October–December
Build And Reworld Now is focused on physical reclamation of land/space for Indigenous, Black, Latinx, and other artists/activists/land defenders of color, alongside restoration of Indigenous land and land stewardship. Guided by Indigenous land-defenders and arts workers, the project will become 36 acres of protected forest and 6 acres rematriated from 35 years as a cow pasture to Native forest, pollinator, medicine and food gardens. This work is celebrated through gatherings and performances, as Build And Reworld Now actuates the intersections of art, activism, Indigenous knowledge and care systems, food, and climate justice. Situated on Haudenosaunee lands, Build And Reworld Now works to grow relations and collaborate with diasporic and local Indigenous artists, organizers, and food justice warriors.Residencies are not open to the public.
EMILY JOHNSON is an artist who makes body-based work. She is a land and water protector and an organizer for justice, sovereignty and well-being. Emily is a Bessie Award-winning choreographer, Guggenheim, Native Arts and Cultures Foundation, and United States Artists Fellow, and recipient of the Doris Duke Artist Award. She is based in Lenapehoking / New York City. Emily is of the Yup’ik Nation, and since 1998 has created work that considers the experience of sensing and seeing performance. Her dances function as portals and care processions, they engage audienceship within and through space, time, and environment — interacting with a place’s architecture, peoples, history and role in building futures. Emily is trying to make a world where performance is part of life; where performance is an integral part of our connection to each other, our environment, our stories, our past, present and future.
Her choreography and gatherings have been presented across what is currently called the United States, Canada, and Australia. Her large-scale project, Then a Cunning Voice and A Night We Spend Gazing at Stars is an all-night outdoor performance gathering taking place amongst 84 community-hand-made quilts. It premiered in Lenapehoking (NYC) in 2017, and was presented in Zhigaagoong (Chicago) in 2019. She choreographed the Santa Fe Opera production of Doctor Atomic, directed by Peter Sellars in 2018. Her new work Being Future Being, premiered on Tongva Land in Los Angeles in 2022.
Emily’s writing has been published and commissioned by The Open Society University Network’s Center for Human Rights and the Arts, ArtsLink Australia, unMagazine, Dance Research Journal (University of Cambridge Press); SFMOMA; Transmotion Journal, University of Kent; Movement Research Journal; Pew Center for Arts and Heritage; and the compilation Imagined Theaters (Routledge), edited by Daniel Sack.
Emily hosts monthly ceremonial fires on Mannahatta in partnership with Abrons Arts Center and Karyn Recollet. She was the Pueblo Opera Cultural Council Diplomat at Santa Fe Opera 2018-2020, and a lead organizer of First Nations Dialogues. She was a co-compiler of the documents, Creating New Futures: Guidelines for Ethics and Equity in the Performing Arts and Notes for Equitable Funding, was a member of Creative Time’s inaugural Think Tank, and serves as a co-lead consortium member for First Nations Performing Arts.
![A new work by artist Niall Jones ! JohnsonJaxxxonJefferson, a new performance work by Niall Jones, is a site breach, a collapsing of memories, sensations, and bodily coordinates — a dance and its noises, moving from one place to another operating, in parts, as a system of continuous retrieval. LET ME HELP YOU SHOW ME ANOTHER WAY TO BE A disarrangement of hallucinatory maternal presences indeterminacy &dissonant structures crashed.symbols (failed)(flailed) images chatter repetition but what about the choir sound [ing] was mainly our dreaming knowingly and unknowingly caressing loss as a conceit while specters haunt the church’s architecture. The Church Sexton: • Sits, stands, bends, reaches and moves intermittently during work. • Is subject to frequent interruptions. • Works beyond normal hours for planned functions of the church and emergencies. • Communicates with supervisor and other church staff, volunteers, members and guests. • Is exposed to slippery conditions, odors, outside weather conditions, etc. • Keeps whistling. Improvisation is key****](http://danspaceproject.org/wp-content/uploads/2024/09/Screen-Shot-2024-09-09-at-2.41.26-PM.jpg)
