Events – Danspace Project
Photo by John Cyr of Levi Gonzalez, Rebecca Cyr, and Hristoula Harakas

Donna Uchizono: Dedications / State of Heads (1999)

Thursday, March 13 | 7:30PM
Friday, March 14 | 7:30PM
Saturday, March 15 | 7:30PM

Open Dress Rehearsal*
Tuesday, March 11 | 7:30PM

To RSVP for Open Dress Rehearsal, Click Here

Donna Uchizono performed her first choreographic works as part of Danspace Project’s Access program in 1988. Uchizono has often recounted how Bebe Miller approached her after that first Danspace performance and said “You are a choreographer. I’m going to tell my friend Ralph Lemon to come and see your work.” This spurred an invitation from then Danspace director Terry Fox and launched Uchizono’s 30-year award-winning career. Uchizono is reimagining her Bessie Award-winning State of Heads for a new generation of dancers to celebrate Danspace’s 50th.

This evening  will begin with three dance Dedications and continue into an intergenerational restaging of Uchizono’s State of Heads (1999).

Dedications: Donna Uchizono, alongside artists David Thomson and Jodi Melnick, will offer a series of dance dedications exploring the body’s expansive capacity to listen. Grounded in the question “if you were to dedicate a dance to a person, who would that be?”, the dancers invite three audience volunteers to privately talk about someone they would like to dedicate a dance to in a mutually vulnerable exchange, anchored by the weight of trust and intimacy. Each dancer will then create a dedication informed by our ongoing research and development of the body as a reservoir of felt histories. In “Dedications,” we share the power by sharing the weight of vulnerability with dance’s profound ability for direct human sharing, redefining audience engagement to one of audience-shared authorship.

State of HeadsState of Heads (1999), with its “breathtaking” opening, explores the feeling of waiting.  The title originated with the idea that the “heads” of states seem to be disconnected from the “body” of the country. The company used this image as a springboard from which to dive into the exploration of disjointed-ness and the passage of time in a state of hiatus, surprisingly creating a strange world of endearingly odd characters that are propelled by unseen undercurrents. For Danspace Project’s 50th anniversary—performed to the “Bessie” Award-winning sound score by James Lo—the original cast, Levi Gonzalez, Rebecca Serrell Cyr, including Donna Uchizono, who has not performed this work in 25 years, will hand the baton over to a younger generation, Tim Bendernagel, Chelsea Hecht, and Paulina Meneses.  Originally commissioned by the Bessie Schoenberg/First Light commissioning program of New York’s Dance Theater Workshop with funds from the Jerome Foundation, State of Heads premiered at Dance Theater Workshop. The work was subsequently performed across the U.S. and internationally.

 

*About Open Dress Rehearsal: Tuesday evening’s dress rehearsal will be free with RSVP and open to the public at limited-capacity. Open dress rehearsals are a mask-required, community-minded program prioritizing our immunocompromised and low-income audiences. Staff and audiences will be required to wear masks (N95 or KN95) and performing artists (if unmasked) will be  required to test for COVID-19 (rapid tests provided by Danspace Project).


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Before you visit:

Accessibility at Danspace Project
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Hailed by Ms. Magazine’s end of the century issue as a “choreographer making great leaps forward into the 21st century,” Donna Uchizono is the Artistic Director of her eponymous New York-based company. Since her choreographic debut in 1990, Uchizono rapidly emerged from the “downtown scene” as a choreographer known for her spicy movement, wit and rich invention. Donna Uchizono Company has toured nationally and internationally and she has created work for notables Mikhail Baryshnikov, Paula Vogel, Oskar Eustis, David Hammons and for Oliver Sack’s 80th birthday celebration. In 2011, after decades of critically acclaimed dance works, Donna Uchizono was identified by the New York Public Library for the Performing Arts (NYPL) and Dance Heritage Coalition as a master choreographer whose works require preservation. Since 2022, Uchizono has been humbled by the distinction of being the first and only American-born choreographer of Asian ancestry in the history of Modern Dance to have received the recognition of both cumulative esteemed *national awards and significant national and international touring of an eponymous dance company. Donna Uchizono has been using this odd status as an advocate to shed light on the issues of the invisibility of American-born choreographers of Asian Ancestry and the disparity of funding.

*This designation recognizes receipt of a Guggenheim Fellowship, United States Artist Award, National Endowment for the Arts Company Project Awards and Fellowships, MAP Fund, Alpert Award, “Bessie” New York Dance and Performance Award, Jerome Foundation, National Performance Network Commission and Touring support, Creative Capital, National Dance Project Commission and Touring support, Dance Magazine, MetLife, among many other awards including extensive New York State and New York City sustained funding and five New York Foundation for the Arts Fellowships.

“Vespers, Reimagined rehearsal, Danspace Project, November 2024. Bebe Miller and Angie Hauser watch Jasmine Hearn, Stacy Matthew Spence and Chloe London watching Bebe performing Vespers (1982).” Photo: Lila Hurwitz

Bebe Miller Company: Vespers, Reimagined (2025)

Thursday, March 27 | 7:30PM
Friday, March 28 | 7:30PM
Saturday, March 29 | 7:30PM

Open Dress Rehearsal*
Tuesday, March 25 | 7:30PM

To RSVP for Open Dress Rehearsal, Click Here

Bebe Miller launched her choreographic career at Danspace Project with the premiere of her breathtaking Vespers in 1982 as part of the seminal Parallels, a series curated by Ishmael Houston-Jones and featuring an extraordinary group of young Black choreographers who were working “in the parallel worlds of Black America and new dance.” After Parallels, Miller went on to a brilliant 40-year career and toured extensively with her company throughout the United States. She is the recipient of numerous awards including a Guggenheim Fellowship, four Bessie Awards, and a Doris Duke Award.

Miller has reimagined her 1982 dance (with vocal accompaniment), Vespers, with an intergenerational group of dance artists. This project began as a co-viewing of the video of Vespers and conversation between Program Director and Associate Curator Seta Morton and artist Niall Jones.

“In thinking about the 50th anniversary, this happenstance-into-project-mode [of Vespers, Reimagined] blossomed, alongside other [50th Anniversary] projects, as a possible re-visit of seminal works,” writes Bebe. “Returning to Vespers now, reimagined with these artists, has been a kind of archeological dig into how we’ve all arrived at our various understandings of the art, the currencies, as well as the physics of dancing.”

Performers and collaborators include: Bria BaconJasmine HearnShayla-Vie JenkinsChloe LondonStacy Matthew SpenceK.J. Holmes, and co-conspirator Niall Jones.

 

*About Open Dress Rehearsal: Tuesday evening’s dress rehearsal will be free with RSVP and open to the public at limited-capacity. Open dress rehearsals are a mask-required, community-minded program prioritizing our immunocompromised and low-income audiences. Staff and audiences will be required to wear masks (N95 or KN95) and performing artists (if unmasked) will be  required to test for COVID-19 (rapid tests provided by Danspace Project).


BUY TICKETS


Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project

Bebe Miller’s vision of dance and performance resides in her faith in the moving body as a record of thought, experience and sheer beauty. She has collaborated with artists, composers, writers, and designers, along with the dancers who share her studio practice and from whom she’s learned what dancing can reveal. A native New Yorker, she formed Bebe Miller Company in 1985. Since then, the Company has been commissioned by Brooklyn Academy of Music’s NEXT WAVE Festival, The Joyce Theater, Wexner Center for the Arts, On The Boards, Krannert Center for the Performing Arts, Theater Artaud, Jacob’s Pillow Dance Festival, Bates Dance Festival, Dance Theater Workshop, New York Live Arts and Danspace Project, and has performed worldwide. The Company’s work encompasses choreography, writing and film, along with digital archive products that share their creative practice. Bebe is a Professor Emerita at Ohio State University, and though her home is in Columbus, OH, she is spending a year in a forest on Vashon Island, WA.

Photo of Anna Thérèse Witenberg by Luis Artemis De Los Santos | Photo of Dominica Greene by Elyse Mertz

DraftWork: Anna Thérèse Witenberg + Dominica Greene

Saturday, April 5 | 3PM

Curated by Ishmael Houston-Jones, Danspace Project’s DraftWork series hosts free, informal showings of new works in varying stages of development. This afternoon features performances by Anna Thérèse Witenberg and Dominica Greene.

Showings are followed by a reception, conversation, and Q&A between the artists.


RSVP HERE


Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project

Anna Thérèse Witenberg is a choreographer and dancer living in New York. Her first evening length show “Heat” was presented this fall at Pageant, Kestrels, and excerpts shown at Canada Gallery in conjunction with the solo exhibition by Lee Mary Manning. Her collaboration with Shade Théret called “Mal Intent”  was presented by the Lament series and staged at the Ethnologisches Museum in Berlin. As a dancer, she has collaborated extensively with Maya Lee-Parritz, Isa Spector, Anna Sperber, Sarah Michelson, Joanna Kotze, and visual artist Nick Mauss, performing in their work at venues such as Whitney Museum, the Kitchen, the Walker Art Center, the Shed, American Dance Festival, Judson Memorial Church, and Abrons Art Center. She will be touring the EU this spring with choreographer Anna María Häkkinen on her commission for Perfoma. She is a Visual Arts MFA candidate at Hunter College.


Dominica Greene is a bi-racial Caribbean-American artist harnessing the elements, spirit, and womanness into an existence rooted in love, community, and regeneration. Residing on the unceded lands of the Munsee Lenape people, Greene creates conceptual, body-based art guided by her philosophy that dance is a ubiquitous energetic entity encompassing anything that is alive or in proximity to aliveness. Her work seeks to reflect nature, human and otherwise, as a way of highlighting humanity, our similarities and differences, and the stark similarities in our differences.

Dancers, Buildings and People in the Streets Reunion

Saturday, April 12 | 4–8PM

 

Danspace Project’s Platform 2015: Dancers, Buildings and People in the Streets, curated by writer and critic Claudia La Rocco, explored the poet-as-critic tradition; the overlapping dance lineages of George Balanchine, Merce Cunningham, and Judson Dance Theater; and their continued and complicated influence on choreographic practice today

As La Rocco recently noted in an email to Judy and Seta: “One thing I am remembering…is the extent to which this Platform was inspired by Danspace’s beginnings out of the Poetry Project, with the Natural History of the American Dancer approaching [poet] Larry [Fagin], and him crediting [poet/dance critic] Edwin Denby as teaching him to see. It’s a nice answer to the question of why are we remembering this Platform in particular—it sprang from 50 years ago, so fits right into your anniversary celebrations.”

This special reunion program will include reflections and conversations with many of the original artists, including Kaitlyn Gilliland, Silas Riener, Sara Mearns, Rashaun Mitchell, Jodi Melnick, Jillian Peña, Troy Schumacher, Emily Coates, Yve Laris Cohen, and Pam Tanowitz. The day will feature excerpts from documentary footage by filmmaker Howard Silver and performances of the work of Merce Cunningham and Trisha Brown, in addition to Sara Mearns of New York City Ballet.


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Before you visit:

Accessibility at Danspace Project
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Reggie Wilson: Some Reflections on Prayerful Platforms Film Screening and Conversation

Saturday, April 26 | 6:30–8:30PM

 

As part of Danspace 50th celebration, we are revisiting a Platform which delved into the history of our iconic venue St. Mark’s Church in-the-Bowery. Reggie Wilson’s guest curated Platform 2018: Dancing Platform Praying Grounds: Blackness, Churches, and Downtown Dance emerged from Wilson’s ongoing research into religion, dance, and race—specifically the history of our site, St. Mark’s Church in-the-Bowery. Wilson and a team of artists and curators researched the history of the Church, revealing its completion in 1799, the year of the New York State Gradual Emancipation Act, a fact which is now incorporated into Danspace Project’s land and site acknowledgements. St. Mark’s history is summarized in Hussie-Taylor’s essay for Wilson’s Platform. 

Soon after the Danspace Platform, Wilson was invited by Philadelphia Contemporary and Partners for Sacred Spaces to recreate a new version of his Danspace Platform at historic churches in downtown Philadelphia.Grounds that Shout! (and others merely shaking) was a series of performances in May 2019 that responded to the layered histories of Philadelphia’s religious spaces and race through contemporary dance. A documentary film captures the process of working in community, using history and choreography as a point of departure. 

This program will include reflections on the Danspace Platform in 2018 and a screening of the documentary of the 2019 Philadelphia series.


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Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project

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