Photo of Muna Tseng by Steven Sigoloff | Photo of Rashaun Mitchell by Amitava Sarkar | Photo of Jordan Lloyd by Whitney Browne | Photo of Douglas Dunn by Beatriz Schiller

50 Forward: “The Future Is…” Gathering

Saturday, November 2 | 3–7PM

50 Forward: “The Future Is…” Gathering

Free and open to the public with RSVP

Over the course of Danspace’s 50th year, we will be celebrating the community, artworkers, and artists that have made these 50 years so fabulous. Danspace has invited 50+ artists with special connections to Danspace to create short films in response to the prompt “The Future Is…” Artists representing all five decades, from the 1970s to the present, were invited to record a 50-second dance or performance to be featured over the course of the year at danspaceproject.org. The short films will be screened with celebratory activities around St. Mark’s Church in-the-Bowery, including live offerings by special guests—The Whale Fall Oracle by mayfield brooks, an upcycle station by Silas Riener, line dancing by Angie Pittman, and a DJ set by Ali Rosa-Salas and Nazuk Kochhar.

SCHEDULE
3PM: Doors open

3-4PM:

The Whale Fall Oracle by mayfield brooks

Upcycle Station by Silas Riener*

Print Publications

50th Anniversary Press On Nail Sets by Emily Wong

4-5PM: Viewing a series of 50-second films by Danspace artists
5-6PM: Line Dancing with Angie Pittman
6-7PM: DJ Set by Ali Rosa-Salas and Nazuk Kochhar

*Please bring clothing items or tote bags for Silas Riener’s upcycle station! Iconic Danspace Project images and logos heat pressed onto your t-shirts, hoodies, sweats, and totes. Limited clothing and totes for sale as well.

“Danspace Project is an artist-centered organization, founded by artists, fueled by artists’ ideas, and inspired by their visions! There are hundreds of amazing artists who have graced our space over 50 years. For our 50th anniversary video project, we elected to invite 50 artists who, in addition to their artistic work, have also served Danspace in an official administrative or volunteer capacity,” writes Danspace’s Executive Director and Chief Curator Judy Hussie-Taylor. “These include artists who have served on our Board of Directors, Artists Advisory Board, Admin & Tech Staff or more recently as Research Fellows. We are grateful to all of them for their behind-the-scenes work and commitment to Danspace’s mission.”

Video artists are: Jodi Bender, Suzanne Bocanegra, Jonah Bokaer Choreography, Andros Zins-Browne, Wally Cardona, Peggy Cheng, Barbara Dilley, maura nguyen donohue, David Dorfman, DD Dorvillier, Douglas Dunn, Ursula Eagly, Hilary Easton, devynn emory, Ain Gordon, Miguel Gutierrez, Trajal Harrell, Deborah Hay, Jasmine Hearn, Cynthia Hedstrom, Abby Harris Holmes, John Jasperse, Benjamin Akio Kimitch, jaamil olawale kosoko, Tendayi Kuumba, Iréne Hultman Monti, Heidi Latsky, Jordan Demetrius Lloyd, Juliette Mapp, Bebe Miller, Rashaun Mitchell, Carol Mullins, Benedict Nguyen, Mina Nishimura, Christopher “Unpezverde” Núñez, Tere O’Connor, Okwui Okpokwasili & Peter Born, Eiko Otake, David Parker, Angie Pittman, Yvonne Rainer, Melinda Ring, Alice Sheppard, Sarah Skaggs, Tatyana Tenenbaum, David Thomson, Nora Raine Thompson, Muna Tseng, Niko Tsocanos, Donna Uchizono, Ogemdi Ude, Larissa Velez- Jackson, Asiya Wadud, Christopher Williams, Reggie Wilson, Nami Yamamoto, and more!

View the digital program

Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project

Video still from Vespers (1982), with Linda Gibbs and Bebe Miller

Bebe Miller Company: Open Rehearsal of Vespers, Reimagined (2025)

Danspace Project hosts an open rehearsal of Bebe Miller Company’s reimagined performance of Vespers (1982), to be performed this Spring 2025 as part of Danspace Project’s 50th Anniversary year of programming. Performers include: Chloe London, Shayla-Vie Jenkins, Bria Bacon, Stacy Matthew Spence, and Jasmine Hearn. Bebe Miller’s Vespers premiered at Danspace Project in 1982 as part of the seminal Parallels, a series curated by Ishmael Houston-Jones.

The open rehearsal is free to RSVP, limited RSVPs available.

View the digital program

Bebe Miller’s vision of dance and performance resides in her faith in the moving body as a record of thought, experience and sheer beauty. She has collaborated with artists, composers, writers, and designers, along with the dancers who share her studio practice and from whom she’s learned what dancing can reveal. A native New Yorker, she formed Bebe Miller Company in 1985. Since then, the Company has been commissioned by Brooklyn Academy of Music’s NEXT WAVE Festival, The Joyce Theater, Wexner Center for the Arts, On The Boards, Krannert Center for the Performing Arts, Theater Artaud, Jacob’s Pillow Dance Festival, Bates Dance Festival, Dance Theater Workshop, New York Live Arts and Danspace Project, and has performed worldwide. The Company’s work encompasses choreography, writing and film, along with digital archive products that share their creative practice. Bebe is a Professor Emerita at Ohio State University, and though her home is in Columbus, OH she is spending a year in a forest on Vashon Island, WA.

Photo of Ayano Elson by Kayhl Cooper

Ayano Elson + Wendell Gray II

A shared evening

Thursday, November 21 | 7:30PM
Friday, November 22 | 7:30PM
Saturday, November 23 | 7:30PM

Open Dress Rehearsal*
Tuesday, November 19 | 7:30PM

A shared evening of new work by two NYC-based dancers, choreographers, and educators, Ayano Elson and Wendell Gray II. Both artists have recently shown work-in-development in Danspace’s DraftWork series.

Part Song/Immortal Life by Ayano Elson draws on the community-centered participatory design text A Pattern Language (Christopher Alexander, Murray Silverstein, and Sara Ishikawa 1977). “I am dancing in the tension between public site and individual desire,” Elson writes. Performers Amelia Heintzelman, Jade Manns, and evan ray suzuki; composer Matt Evans; and musicians Leo Chang, Tristan Kasten-Krause, and Zosha Warpeha treat the space as a site of surveillance—disappearing, disguising, revealing, and tracking the body within the architecture of the church and processing sensations of seduction, communion, speculation, and violence.

Wendell Gray II has performed at Danspace in the Bessie-nominated work of Jordan Demetrius Lloyd, Tere O’Connor, and with choreographers in the contemporary experimental canon such as Miguel Gutierrez, Joanna Kotze, and Kevin Beasley. His new work in the port’s mouth is comprised of a solo assisted by a duet, performed by Gray, Jamal K. White, and Jordan Demetrius Lloyd. Gray looks to externally express interior streams of consciousness inside a Black experience. “Time happens all at once where the past invades the present to make the future…At once I am many and I’m never alone,” he explains. “Using dance as a mode of processing, remembering, and dreaming, the work swims through a multitude of embodiments: some being manifestations of the imaginary and some being messages from the ancestors.”

*About Open Dress Rehearsal: Tuesday evening’s dress rehearsal will be free with RSVP and open to the public at limited-capacity. Open dress rehearsals are a mask-required, community-minded program prioritizing our immunocompromised and low-income audiences. Staff and audiences will be required to wear masks (N95 or KN95) and performing artists (if unmasked) will be required to test for COVID-19 (rapid tests provided by Danspace Project).

View the digital program

Tickets
support Danspace’s 50th anniversary!

$10 Members
$20 Regular Price
$30 A little extra
$40 A little more!
$50 Celebrating 50 years!
$100 Here’s to the next 50!

PURCHASE TICKETS

Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project

Ayano Elson is an Okinawan-American dancer and choreographer based in New York City. She was born in Okinawa, a small island colonized by Japan in 1879 and occupied by the United States from 1945–1972. She works with improvisation, archival materials, and interdisciplinary collaboration to make dance performances. Her choreographic practice critically investigates power and interpretation as embedded in contemporary Western dance.

Her performances have been presented by Abrons Arts Center, AUNTS, 411 Kent, CPR – Center for Performance Research, The Chocolate Factory, Danspace Project, Gibney Dance, ISSUE Project Room, Knockdown Center, Movement Research, PAGEANT, and Roulette, among others. She has held artist residencies at Center for Performance Research and Abrons Arts Center (2022), Lower Manhattan Cultural Center and ArtCake (2021), and Movement Research Van Lier Emerging Artist of Color Fellow (2018) and Gibney Dance (2015). She has received funding support from Foundation for Contemporary Arts and Mertz Gilmore Foundation. She has performed in works by Laurie Berg, Kim Brandt, Jesi Cook, Milka Djordjevich, Simone Forti, Niall Jones, and Alexa West at museums, galleries, and theaters in Chicago, Los Angeles, and NYC. ayanoelson.com

Wendell Gray II is a dance artist, choreographer, and educator currently based in Brooklyn, NY, situated on Lenapehoking land. Wendell’s artistic journey has led him to perform with choreographers and artists including Miguel Gutierrez, Tere O’Connor, Joanna Kotze, Jordan Demetrius Lloyd, Pavel Zustiak, Christal Brown, J. Bouey, and Kevin Beasley, among many others. Wendell’s original choreographic works have been shown at venues such as PAGEANT, Draftwork at Dancespace, Coffey Street Studios, Kinosaito Arts Center, Gibney, University of the Arts, Movement Research at Judson Church, Center for Performance Research, Chez Bushwick, and Bronx Academy of Arts and Dance. Wendell is a 2024-2025 Movement Research Artist-in-Residence. He has additionally been supported by residency programs, including Sighlines Dance Festival (2023), STUFFED Artist in Residence at Judson Church (2021), Work Up 6.0 Artist at Gibney (2020), and Chez Bushwick (2017). He is also currently an adjunct professor of Dance at Sarah Lawrence College and additionally been a guest teacher at New York University, University of the Arts, and Dancewave among others. Wendell is an alumnus of the University of the Arts, where he graduated with a BFA in Dance under the direction of Donna Faye Burchfield. Originally hailing from Atlanta, GA, his artistic journey has been enriched by his upbringing in the performing arts. For more, visit wenings.com

Photo of Glenn Potter-Takata by Rachel Keane | Photo of Jade Manns by Chika Kobari

Jade Manns + Glenn Potter-Takata

A shared evening

Thursday, December 12 | 7:30PM
Friday, December 13 | 7:30PM
Saturday, December 14 | 7:30PM

Open Dress Rehearsal*
Tuesday, December 10 | 7:30PM

A shared evening of work by choreographers Glenn Potter-Takata and Jade Manns, who, like Ayano Elson and Wendell Gray II, have both recently shown work-in-development through Danspace’s DraftWork series.

Glenn Potter-Takata is a Japanese-American artist utilizing in butoh, improvisation, found materials, and consumer products to create performances around the body as a historical site in post-Internment America. “I’m really interested in the delineation between notions of emptiness and nothingness, emphasizing materiality or material quality, and the non-self,” the artist explains. A continuation of the in-process work he showed at DraftWork, Immaterial Supreme is a collaboration with dancer Kimiko Tanabe and musician Chris Ryan Williams that expounds on notions of the self, Buddhist concepts of emptiness, and the material. Using contact microphones and butoh, Potter-Takata juxtaposes synthetic materials with the natural or organic to create a sonic and visual landscape that pursues a dissolution of the permanent self.

A co-founder of the artist-run performance space PAGEANT, Jade Manns has performed in the work of choreographers and artists including Ayano Elson, Alexa West, and Jordan Demetrius Lloyd. Manns works with images to explore themes of nature, divinity, and spectacle. Her new dance, The Flood, is a dense panorama of rapidly shifting images and sounds. “Drawing from a two-dimensional archive which ranges from the prehistoric Chauvet cave paintings of animals to present day advertising and viral content, the choreography moves through a concentrated assemblage of animalistic forms punctuated by violent ruptures of modern spectacle.” Together with collaborators Kalliope Piersol, Owen Prum, Noa Rui-Piin Weiss, Isa Spector, and Zo Williams (performance) and Derek Baron (sound), Manns conjures a vision of complicated entanglements of artificiality, power, and spirit within a 21st-century landscape.

*About Open Dress Rehearsal: Tuesday evening’s dress rehearsal will be free with RSVP and open to the public at limited-capacity. Open dress rehearsals are a mask-required, community-minded program prioritizing our immunocompromised and low-income audiences. Staff and audiences will be required to wear masks (N95 or KN95) and performing artists (if unmasked) will be required to test for COVID-19 (rapid tests provided by Danspace Project).

Tickets
support Danspace’s 50th anniversary!

$10 Members
$20 Regular Price
$30 A little extra
$40 A little more!
$50 Celebrating 50 years!
$100 Here’s to the next 50!

PURCHASE TICKETS

Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project

Glenn Potter-Takata is a Bronx-based dance maker, media designer, and artist working in performance. Originally from Los Angeles, Glenn relocated to New York to study multimedia performance at Sarah Lawrence College, earning his MFA and where he is currently a teacher of sound and projection design for live performance. Glenn’s performance works have been seen at Mabou Mines, PAGEANT, Cannonball, Grace Exhibition Space, Movement Research at Judson Church, Center for Performance Research, New Dance Alliance’s Performance Mix, WestFest, and with Pioneers Go East. He is a recipient of the MAP Fund Award, Bronx Dance Fund Award, Bronx Cultural Visions Award, and has been awarded residencies through Movement Research, Rogers Art Loft, Gibney Dance Center, and CUNY Dance Initiative/Lehman College. His first solo gallery exhibition opened in January of 2023 at Rogers Studio Gallery in Las Vegas.

Jade Manns is a dancer, choreographer and co-founder of the artist-run performance space PAGEANT in New York. Her work has been shown at Draftwork at Danspace Project, Movement Research at the Judson Church, Sundays on Broadway at Weis Acres, New Dance Alliance Performance Mix Festival and PAGEANT among others. Jade has received support from the Alberta Foundation for the Arts, NYU Artist Development Program for Dance and Kino Saito Arts Center. She is a 2024/2025 NYLA Fresh Tracks Artist.

The first-ever performance at Danspace Project. Carmen Beuchat (front) and Barbara Lloyd Dilley (background), The Natural History of American Dancer, St. Mark’s Church in-the-Bowery, 1974. Photo: Cosmos. Published in Danspace Project’s 25th Anniversary publication, 1999.

Danspace’s 50th Anniversary at NYPL

Monday, December 16

Celebrating Danspace’s 50th Anniversary

The Natural History of the American Dancer collective has been largely forgotten, but this improvisational ensemble of women, founded in 1971 by Barbara (Lloyd) Dilley and others, were the first performers at Danspace Project in 1974. Poet Larry Fagin told The New Yorker in 1999 that their performance birthed St. Mark’s Danspace Project in 1974. On the 50th anniversary of Danspace Project, the New York Public Library for the Performing Arts celebrates the seminal and iconic dance presenting organization with a discussion on archival footage featuring Danspace’s co-founders: Barbara Dilley and Mary Overlie, plus the other four members of the Natural History of the American Dancer—Cynthia Hedstrom, Carmen Beuchat, Judy Padow, and Suzanne Harris. This panel will feature Cynthia Hedstrom, Wendy Perron, Judy Hussie-Taylor, Ishmael Houston-Jones, and Carol Mullins.

More info to be announced.

Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project

Photo of Symara Sarai by Elyse Mertz | Photo of Anh Vo by Keshis Eugene

DraftWork: Symara Sarai + Anh Vo

Saturday, December 21 | 3PM

Danspace Project’s DraftWork series hosts free, informal showings of new works in varying stages of development. This afternoon features performances by two NYC-based artists: Symara Sarai and Anh Vo.

Showings are followed by a reception, conversation, and Q&A between the artists and DraftWork curator, Ishmael Houston-Jones.

RSVP HERE

Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project

Symara Sarai, a Portland, Oregon native currently residing in Brooklyn, has immersed herself in interdisciplinary and choreographic studies globally. A 2023 Bessie Winner for Breakout Choreographer, Symara is also a recipient of the Dai Ailian Foundation Scholarship based in Trinidad and Tobago. The scholarship led her to Beijing, China where she spent two years gaining an associate degree in modern choreography at the renowned Beijing Dance Academy. Symara is a 2019 graduate of SUNY Purchase’s Conservatory of Dance Program. She was a resident artist for Bearnstow, Gibney 6.2 Work Up, Gallim’s 2022 Moving Artist’s Residency, BAX’s Fall 2022 Space Grant Program, Center for Performance Research’s 2022 AIR Program, New York Live Arts Fresh Tracks Artist 23/24 as well as a 23/24 Women in Motion Commissioned artist. They are currently a Abrons Arts Center Performance AIRspace Resident. Their work as a performer and maker has been reviewed and featured in the NY Times, Dance Enthusiast, Fjord, as well as promoted through Forbes. She has had multiple film works commissioned by Berlin-based choreographer Christoph Winkler. They have presented work at New York Live Arts, The Clarice at UMD, The LGBT Center in NY, Judson Church, BAAD, Kestrels, and other venues throughout the United States, China, and Germany. She is currently an Urban Bush Women company member. She has also notably worked with Jasmine Hearn, Ogemdi Ude, Pioneers Go East Collective, Kevin Wynn, Joanna Kotze, Nattie Trogdon+Hollis Bartlett, and Slowdanger, among others. For more visit symarasarai.com

Anh Vo (They/He) is a Vietnamese choreographer and writer working primarily in New York City, with a second base in Hanoi. Their practice fleshes out the body as a vessel for apparitional forces. Their work is situated in the unlikely lineage convergences between Downtown New York experimental dance, queer and feminist performance art, and Vietnamese folk ritual practices. Their formal training is in Performance Studies, studying with theorists and practitioners at Brown University (BA) and New York University (MA).

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