#tbt to November 2011 and Gerard & Kelly’s Reusable Parts/Endless Love at Danspace Project. As the artists described the piece, “[This work] began when Gerard & Kelly encountered an exhibition at the Guggenheim Museum of Kiss, an artwork by Tino… Read more
1. Antony Gormley, TRAJECTORY FIELD, 2001 – 2003 2. SimCity When I was a boy, I was obsessed with maps. I would happily stare at them for hours and study the contours of the various islands, cities and coasts that my finger could trace while… Read more
“I overheard Wanda on a sunny day in Washington Square Park in 1980. A pretty brown teenage girl wearing a sweater. Sitting on a bench recounting a story to another young girl, similarly dressed. I was seated next to them… Read more
Sneak Peek: images by Ian Douglas of Luis Lara Malvacías/3rd Class Citizen’s (T). This “post-conceptual dance” draws on Malvacías’s interest in multiplicity as a starting and end point, triggering unpredictable results. Performances run this Thursday-Saturday at Danspace Project
Costumes by Miodrag Guberinic in Act I of Yanira Castro/a canary torsi’s Court/Garden, running this Thursday – Saturday (Oct 9-11) at Danspace.
“Every passion, ultimately, has its spectator…(there is) no amorous oblation without a final theater.” – Roland Barthes, A Lover’s Discourse 1: Perception Robert Irwin’s “Black Line Volume.” This influence is a fiction. “Black Line Volume” was created in 1975 at the… Read more
“Vito Acconci’s Theme Song changed everything for me. His awkward desire and direct communication with the camera; that the camera stands in for this huge vacancy – it is lover, it is mirror, it is other. I know a lot of video artists tap… Read more
Jillian Peña’s Constellations and Influences, part II: “I’m also deeply moved by Derek Jarman’s Blue. It’s incredible how the voice alone can create such movement, ambiance, and texture. Truthfully I’m very inspired by television. I hate movies. I hate that they end… Read more