Danspace
Project

  • Calendar
  • Journal
  • Programs
  • Catalogues
  • Support
  • Archive
  • About
St. Mark’s Church
131 East 10th St.
New York, NY 10003
Phone (212) 674-8112
info@danspaceproject.org
Finding the Right Dance: Ogemdi Ude in Conversation with Selah V. Hampton (An Excerpt) – Danspace Project
  • Calendar
  • Journal
  • Programs
  • Catalogues
  • Support
  • Archive
  • About
Back
Email
Facebook
Twitter

Finding the Right Dance: Ogemdi Ude in Conversation with Selah V. Hampton (An Excerpt)

May 10, 2022

Two Black women are positioned on opposite ends of a church studio with a mic stand wrapped in braids stand in front of them. Their arms are extended out with knees bent and heads thrown back.
Ogemdi Ude and Selah V. Hampton. Photo: Chidozie Ekwensi.

 

Ogemdi Ude’s I know exactly what you mean premieres May 12-14 at Danspace Project as a part of Platform 2022: The Dream of the Audience (Part II).

For the purpose of the Platform 2022 catalogue, Ude sat down to a conversation with collaborator and performer Selah V. Hampton. They discuss the intimate process of making a work together, as close friends and Black femmes. Ruminating on what tensions, vulnerabilities, and excitement might surface in sharing their work with audiences this spring, the two collaborators explain that the performance will not present a finalized product but, rather, it will share a snapshot of their ongoing process as collaborators and confidantes. Please join us for I know exactly what you mean on May 12-14 to share in this moment.

To read Ude and Hamptons exchange in full and to read all of the Platform artists’ written contributions, please purchase a Platform 2022 catalogue. Audio book slated for release this Summer!


 

I know exactly what you mean is about fabricating, storytelling, and lying. All of the ways we navigate gaps in knowledge in order to create some semblance of a cohesive narrative of who we are and who we belong to. I spoke with one of my collaborators, Selah V. Hampton, about the experience of making a dance that is about truth seeking, with other Black femmes. We addressed the following: What is the right dance? What is the wrong dance? And how do we know when we’ve reached the end of these dances?

 

Ogemdi: This question of, “how do we know when we’ve reached the end of a dance?” is a curiosity coming up in the way that we’re talking about what the space is like with one another and what we have seen embodied in Black femme friendships. In this case, what the end of the dance could be, is so exciting because it just means that I don’t have to miss y’all. When this process is over, I’m still going to see you. There was a space we made where we understood the importance of seeing each other and working with one another. For that to have been opened, and for that to see some sort of end… Whatever “right” or “wrong” dance means, I think there’s something about the end of the dance that is making me think of one of those spin top toys where you pull it up and it pops off and it goes spinning. The end is when you’re done pulling. The spin is what comes after the end.

 

Selah: The world [I know exactly what you mean] is so rich. I never know where a beginning or an end is or ever was. Things materialize out of things I didn’t ever know were material. I do not know if this is a beginning or an end or a middle. There aren’t ever clear endings. This is how it is in this space and time and it may be returned to at another point. Here’s where the practice has gotten us and we are calling a truce because it is “performance day” but we have not found an ending to it. But we are not set in that movement. We haven’t answered all the questions and accomplished all of the goals. No. But what is beautiful is pulling up the curtain at this point of the process that we’re in. And to say, in this snapshot of time here is what has been built. And then the curtain goes down and maybe it turns into nothing more. Maybe it lives on in these other ways. But I don’t think there’s ever an end. At least not in this stuff.

 

Ogemdi Ude is a Nigerian-American dance artist, educator, and doula based in Brooklyn, New York. Her performances focus on Black femme legacies and futures, grief, and memory. She aims to incite critical engagement with embodied Black history as a means to imagine Black futurity. Her work has been presented at Issue Project Room, Recess Art, Brooklyn Arts Exchange, Gibney, Center for Performance Research, Streb Lab for Action Mechanics, and for BAM’s DanceAfrica Festival. As an educator, she serves as Head of Movement for Theater at Professional Performing Arts School and has taught at Sarah Lawrence College, MIT, and University of the Arts. In collaboration with Rochelle Jamila Wilbun she facilitates AfroPeach, a series of dance workshops and talks birth work specialists for Black postpartum people in Brooklyn. She is a 2021 danceWEB Scholar, 2021 Laundromat Project Artist-in-Residence, and 2021 Lower Manhattan Cultural Council Creative Engagement Grantee. She graduated Magna Cum Laude with a degree in English from Princeton University.

Selah Hampton is a performer and collaborator from Atlanta. She moves in process with Ogemdi Ude, having performed in a series of dance films entitled Are They Still Here (2021) and excerpts of Video Vixen, formerly known as Video Ho in Movement Research at the Judson Church (2019) and Danspace Project’s DraftWork (2019). She has trained under Omri Drumlevich, Debbie Allen, Hector Mercado, and Rebecca Lazier. Paying special attention to the collaboration between Black music and movement, her practice centers
around the nuances of Black identity in historically non-Black spaces. She is the senior manager of growth at US Mobile, and the founder and CEO of ReTell Bookstore. Her civic engagement includes serving as the vice chair for the Princeton Prize in Race Relations national board and as the nominating and governance co-chair for the junior board of directors of Girls Inc NYC. She is a 2022 KIPP Leadership Accelerator Fellow and recipient of Built In’s 2022 Moxie award as an emerging woman in tech. Selah earned a BA from Princeton University in 2018 with a concentration in chemistry and certificates in African American studies and dance. She is currently based in Brooklyn, New York.

Tags: Ogemdi Ude, Selah V. Hampton
  • Dear Audience, Are You Listening? An Introduction (Excerpt) by Judy Hussie-Taylor
  • Rashaun Mitchell + Silas Riener: RETROFIT: a new age
St. Mark’s Church
131 East 10th St.
New York, NY 10003
Phone (212) 674-8112
info@danspaceproject.org
  • Twitter
  • Facebook
  • Instagram
  • Become a member
  • Donate
  • Opportunities

©2025 Danspace Project

Skip to content
Open toolbar Accessibility Tools

Accessibility Tools

  • High ContrastHigh Contrast
  • Negative ContrastNegative Contrast
  • Light BackgroundLight Background
  • Links UnderlineLinks Underline
  • Readable FontReadable Font
  • Reset Reset
  • Accessibility InfoAccessibility Info