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Conversations Without Walls: Kyle Abraham & Taylor Stanley with Benjamin Akio Kimitch – Danspace Project
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Conversations Without Walls: Kyle Abraham & Taylor Stanley with Benjamin Akio Kimitch

December 17, 2020

Closed captions are available by clicking the “CC” button on the video.

A PDF transcript of the conversation is linked here.


This Conversation Without Walls (CWW) was recorded on November 30, 2020 and first broadcasted on YouTube Live on Saturday, December 12, 2020.

In this CWW, Danspace Project Program Director and Associate Curator, Benjamin Akio Kimitch is in conversation with Kyle Abraham, choreographer and Artistic Director of his company A.I.M, and Taylor Stanley, Principal Dancer for New York City Ballet. Abraham and Stanley discuss the development of their collaborative friendship, beginning with the creation of Abraham’s The Runaway (2018) for New York City Ballet and continuing with their short film collaboration, Ces noms que nous portons (2020) for Lincoln Center. Rehearsal footage of The Runaway (2018) and the full film, Ces noms que nous portons (2020) are screened during this conversation as they discuss shared experiences with representation, trust, and advocate for change within dance institutions at every scale.


 

Included in this CWW 

 

Works Choreographed by Kyle Abraham and Danced by Taylor Stanley

Ces noms que nous portons, choreographed by Kyle Abraham, commissioned by New York City Ballet and Lincoln Center (2020), Performed by Taylor Stanley, Music: “Gnossienne No. 3,” Erik Satie

The Runaway, choreographed by Kyle Abraham, commissioned by New York City Ballet (2018), Dancers: Ashley Bouder, Jonathan Fahoury, Sara Mearns, Roman Mejia, Georgina Pazcoguin, Taylor Stanley, Sebastian Villarini-Velez, Peter Walker, Music: James Blake, Jay-Z, Kanye West, and Nico Muhly, Costume: Giles Deacon, Lighting: Dan Scully

Other Works Mentioned

Brick and The Dripping Kind, choreographed by Kyle Abraham, commissioned by Dance Theater Workshop (2008)

The Radio Show, choreographed by Kyle Abraham, commissioned by Danspace Project (2010)

to be seen, choreographed by Kyle Abraham, performed by Calvin Royal III, commissioned by New York City Center Fall for Dance Festival (2020)

The Times Are Racing, choreographed by Justin Peck, commissioned by New York City Ballet (2017)

 

Black Choreographers Commissioned for the New York City Ballet before Kyle Abraham’s Commission in 2018

  • John Alleyne, Barbados born Canadian choreographer and artistic director of Ballet British Columbia from 1992 to 2009.
  • Ulysses Dove, American choreographer (1947-1996).
  • Albert Evans, American ballet dancer and choreographer (1968-2015).
  • Robert Garland, American choreographer.

 

Institutions Mentioned 

  • Brockus Studios, Los Angeles, CA
  • CAPA Performing Arts High School, Pittsburg, PA
  • GALLIM, Brooklyn, NY
  • New York City Ballet, New York, NY
  • NYU Tisch School of the Arts, New York, NY
  • Jacob’s Pillow, Becket, MA
  • Joffrey Ballet, New York, NY
  • Lincoln Center for the Performing Arts, New York, NY
  • Pennsylvania Ballet, Philadelphia, PA
  • Purchase College, Harrison, NY
  • The Rock School West (previously known as Westchester Ballet Theater), Westchester, PA
    • The Rock School, The school’s originating branch in Downtown Philadelphia, PA
  • School of American Ballet, New York, NY

 

People Mentioned

  • Leslie Anderson-Braswell, Dance educator (foundational to Kyle Abraham’s dance education).
  • Daniel Applebaum, New York City Ballet Soloist.
  • George Balanchine, Founding choreographer of New York City Ballet (1904-1983).
  • Phil Chan, Co-founder of Final Bow for Yellowface.
  • Garth Fagan, Choreographer and Founder & Artistic Director of Garth Fagan Dance.
  • Jodi Gates, USC Glorya Kaufman School of Dance Founding Director and Professor of Dance.
  • Jodi Melnick, Choreographer, dancer, and teacher.
  • Andrea Miller, Choreographer, Artistic Director, and Founder of Brooklyn-based company GALLIM.
  • Bebe Miller, Choreographer, dancer, and Founder & Director of Bebe Miller Company.
  • Jon Nakagawa, Director, Contemporary Programming, Lincoln Center for the Performing Arts.
  • Georgina Pazcoguin, New York City Ballet Soloist and co-founder of Final Bow for Yellowface .
  • Wendy Perron, Dancer, choreographer, teacher, writer, and editor (wrote about Kyle Abraham and The Runaway).
  • Stephanie Powell, Dance educator (foundational to Kyle Abraham’s dance education).
  • Jerome Robbins, Founding choreographer of New York City Ballet (1918-1998).
  • Jonathan Staffard, Artistic Director of New York City Ballet.
  • Buddy Thompson, Dance educator (foundational to Kyle Abraham’s dance education).
  • Bill T. Jones, Choreographer, dancer, theater director, writer, co-founder of the Bill T. Jones/Arnie Zane Company, and Artistic Director of New York Live Arts.
  • Wendy Whelan, Associate Artistic Director of New York City Ballet.

 

Ces noms que nous portons is screened courtesy of New York City Ballet and Lincoln Center for the Performing Arts.

Recently featured in both Kinfolk and O, The Oprah Magazine, 2018 Princess Grace Statue Award recipient and Lincoln Center Education Artist in Residence, Kyle Abraham is a 2013 MacArthur Fellow and a 2016 Doris Duke Awardee who began his dance training in Pittsburgh, Pennsylvania before receiving his BFA from Purchase College and his MFA from NYU’s Tisch School of the Arts. Abraham is in his fifth year as a Visiting Professor in Residence at UCLA and is the Artistic Director of A.I.M, acclaimed NY-based company of dancers from various disciplines and diverse personal backgrounds. In addition to performing and developing new works for A.I.M in 2019, he also choreographed and premiered The Bystander for Hubbard Street Dance Chicago, Only The Lonely for Paul Taylor American Modern Dance Company and Ash, a new solo work for American Ballet Theater principle, Misty Copeland to rave reviews.  In 2011, OUT Magazine labeled Kyle Abraham as the “best and brightest creative talent to emerge in New York City in the age of Obama.” For more information please visit: abrahaminmotion.org

Taylor Stanley was born in Philadelphia, Pennsylvania and began his dance training at the age of three at The Rock School in Pennsylvania. He attended summer programs at Miami City Ballet in 2006 and 2007 and at the School of American Ballet during the summer of 2008 before enrolling full-time at SAB in the fall of that same year. In September 2009, Stanley became an apprentice with New York City Ballet, and joined the Company as a member of the corps de ballet in September 2010. He was promoted to soloist in February 2013 and to principal dancer in May 2016. Taylor received the Mae L. Wien Award for Outstanding Promise in 2009 and was the 2011-2012 recipient of the Janice Levin Award. He performed in NYCB Soloist Troy Schumacher’s BalletCollective from 2010-2015, and has danced in various works by Andrea Miller, Jodi Melnick, Annabelle Lopez-Ochao, Liz Gerring, Pam Tanowitz, Kim Brandstrup, and Christopher Williams. Taylor has also participated in workshops with Hubbard Street Dance Chicago, Nederlands Dans Theater, and Batsheva Dance Company. In 2019, Taylor received a Bessie Award for “Outstanding Performance” in Kyle Abraham’s The Runaway, choreographed for NYCB in 2018. IG: taylor.g.stanley
Tags: Benjamin Akio Kimitch, Conversations Without Walls, Kyle Abraham, Lincoln Center, New York City Ballet, Taylor Stanley
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