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The Sky was Red by Jo Stewart – Danspace Project
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The Sky was Red by Jo Stewart

February 5, 2021


“The Sky was Red” is a performance score written by Jo Stewart to document Jasmine Hearn’s live performance, Pleasure Memory, presented by Washington Project for the Arts in Black Women as/and the Living Archive curated by Tsedaye Makonnen. Stewart wrote this score, not only in response to the singular performance but also alongside Hearn’s archive, family photos, and with Stewart’s own poetic sensibility and concerns. To learn more about this collaborative process, please see the Fall, 2020 Conversation Without Walls: Jasmine Hearn & Jo Stewart with Seta Morton.

To read more from Jo Stewart, please visit our neighbors at Poetry Project! Stewart’s “Excerpts from Un-” are published in the #263 Winter edition of The Poetry Project Newsletter.

“The Sky was Red” can be listened to as audio or read, below.


 

http://danspaceproject.org/wp-content/uploads/2021/01/The-Sky-Was-Red-for-Danspace-Project.m4a

 

A photograph of a black woman with one arm slung over her pregnant belly. The photograph is overlaid with hand-made paper that is torn in the right hand corner. Colors are black, pink, bronze, and burnt orange.

Two images, vertically stacked. First image, A hand-made window frame made with black tape hovers over a pale image of crushed paper. Colors are cream, gray-black, and white. Second Image, A sepia tinted photograph of two young girls overlaid with a hand made window frame with black tape. The girls are wearing white dresses, smiling, and looking forward as if they are looking through the illustrated windowpane.

An oversaturated and blurred photograph of smiling woman in a white collar. Colors are red, white, and brown.

Four rectangularly cut photographs, overlaid with a red splotchy filter. The ankles of Orange Mae Johnson and the knees of Byronné and Sonya. The bellies of unknown men and an image of wind panes.


Image Credits:

Page 1, Title Page:

Untitled, Photograph of Rita Jean Anderson (1984) with hand-dye paper. Courtesy of, Jasmine Hearn and Jo Stewart.

Page 5:

[1] Untitled, Hand-dyed paper and hand-made window frame made with black tape. Courtesy of the artist, Jo Stewart.

[2] Untitled, Hand-made window frame with Sonya and Byronné Johnson, Crockett, TX, at the house of Minnie Houston Nickens Woodall Thigpen or at  “Grannie’s” house (1969). Courtesy of, Jasmine Hearn and Jo Stewart.

Page 7:

Untitled, Mary Gay Parker and Byronné Jeanice Johnson at Texas Women’s University in Denton, TX. Nurse Pinning Ceremony; “Penny” (1978). Courtesy of, Jasmine Hearn and Jo Stewart.

Page 8:

Untitled, Sonya and Byronné Johnson at Minnie Houston Nickens Woodall Thigpen “Grannie”’s house in Crockett, TX (1969). Courtesy of, Jasmine Hearn and Jo Stewart.

 

Jo Elizabeth Stewartis a poet and theater maker. She uses a combination of gesture, voice, and text to make performance that investigates entrapment, borders, and freedom. Using poetic texts as a model, her performance works diverge from linear storytelling traditions. Poetic devices acquire concrete dimensions: em-dashes are rendered as barriers, enjambed lines as windows. From the architecture of each story emerges spaces of captivity and the possibility of freedom. She looks to the dead, unborn, flora, and animal life as guides and protagonists in these stories. By asking these beings to speak through her work, she strives to free them from objecthood, thereby freeing herself from objectification and offering the radical imagining of a borderless world. Jo was a recent member of Meredith Monk & Vocal Ensemble, rehearsing and touring Cellular Songs from 2017-2019. Stewart is currently a cross-disciplinary MFA candidate in the Literary Arts program at Brown University.

 

Tags: Jasmine Hearn, Jo Stewart, The Poetry Project
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Phone (212) 674-8112
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