Events – Danspace Project
Photo of Anna Thérèse Witenberg by Luis Artemis De Los Santos | Photo of Dominica Greene by Elyse Mertz

DraftWork: Anna Thérèse Witenberg + Dominica Greene

Saturday, April 5 | 3PM

Curated by Ishmael Houston-Jones, Danspace Project’s DraftWork series hosts free, informal showings of new works in varying stages of development. This afternoon features performances by Anna Thérèse Witenberg and Dominica Greene.

Showings are followed by a reception, conversation, and Q&A between the artists.

 

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Anna Thérèse Witenberg is a choreographer and dancer living in New York. Her first evening length show “Heat” was presented this fall at Pageant, Kestrels, and excerpts shown at Canada Gallery in conjunction with the solo exhibition by Lee Mary Manning. Her collaboration with Shade Théret called “Mal Intent”  was presented by the Lament series and staged at the Ethnologisches Museum in Berlin. As a dancer, she has collaborated extensively with Maya Lee-Parritz, Isa Spector, Anna Sperber, Sarah Michelson, Joanna Kotze, and visual artist Nick Mauss, performing in their work at venues such as Whitney Museum, the Kitchen, the Walker Art Center, the Shed, American Dance Festival, Judson Memorial Church, and Abrons Art Center. She will be touring the EU this spring with choreographer Anna María Häkkinen on her commission for Perfoma. She is a Visual Arts MFA candidate at Hunter College.


Dominica Greene is a bi-racial Caribbean-American artist harnessing the elements, spirit, and womanness into an existence rooted in love, community, and regeneration. Residing on the unceded lands of the Munsee Lenape people, Greene creates conceptual, body-based art guided by her philosophy that dance is a ubiquitous energetic entity encompassing anything that is alive or in proximity to aliveness. Her work seeks to reflect nature, human and otherwise, as a way of highlighting humanity, our similarities and differences, and the stark similarities in our differences.

Dancers, Buildings and People in the Streets Reunion

Saturday, April 12 | 3:45–8PM

 

Danspace Project’s Platform 2015: Dancers, Buildings and People in the Streets, curated by writer and critic Claudia La Rocco, explored the poet-as-critic tradition; the overlapping dance lineages of George Balanchine, Merce Cunningham, and Judson Dance Theater; and their continued and complicated influence on choreographic practice today

As La Rocco recently noted in an email to Judy and Seta: “One thing I am remembering…is the extent to which this Platform was inspired by Danspace’s beginnings out of the Poetry Project, with the Natural History of the American Dancer approaching [poet] Larry [Fagin], and him crediting [poet/dance critic] Edwin Denby as teaching him to see. It’s a nice answer to the question of why are we remembering this Platform in particular—it sprang from 50 years ago, so fits right into your anniversary celebrations.”

This special reunion program will be co-facilitated by Claudia La Rocco and Judy Hussie-Taylor and will include reflections and conversations with many of the original artists, including Kaitlyn GillilandSilas RienerRashaun MitchellJodi MelnickJillian PeñaTroy SchumacherEmily CoatesYve Laris Cohen, and Pam Tanowitz. The day will feature excerpts from documentary footage by filmmaker Howard Silver and performances of the work of:

  • George Balanchine, performed by Sara Mearns and Tyler Angle
  • Trisha Brown Company, performed by Marc CrousillatCecily Campbell, and Jennifer Payán
  • Merce Cunningham, performed by Sienna Blaw and Morgan Amirah Burns
  • Pam Tanowitz, performed by Miriam Miller

SCHEDULE

Panels + Films in the Parish Hall from 4–7PM
(Please arrive by 3:45PM as we will begin promptly at 4PM.)

Short Performances in the St. Mark’s Church Sanctuary from 7–8PM

3:30PM: House Opens in St. Mark’s Church Parish Hall (entrance on 11th Street)
4PM: Welcome + Remarks: Claudia La Rocco and Judy Hussie-Taylor with remarks by filmmaker Howard Silver
4:15PM: Panel 1: Emily Coates, Yve Laris Cohen, Silas Riener, and Kaitlyn Gilliland w/ short films by Howard Silver
5:30PM: Panel 2: Rashaun Mitchell, Jodi Melnick, Troy Schumacher, and Jillian Peña w/ short films by Howard Silver
6:45PM: Short film of Pam Tanowitz by Howard Silver with remarks by Pam Tanowitz
7PM: Audience will move from St. Mark’s Parish Hall into the Church Sanctuary for a series of short performances.*
7:15PM: Pam Tanowitz solo performed by Miriam Miller
7:20PM: Reading by Claudia La Rocco
7:30–8PM: Short performances of works by George Balanchine, Trisha Brown, and Merce Cunningham performed by Sara Mearns, Tyler Angle, Marc Crousillat, Cecily Campbell, Jennifer Payán, Sienna Blaw, and Morgan Amirah Burns

*Advanced tickets for the panels and films are sold out, but tickets for the performances (starting at 7PM) are available!

We will take a waitlist for the Parish Hall at 3:30PM.

 

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Film Screening and Conversation with Reggie Wilson: Some Reflections on Prayerful Platforms

Saturday, April 26 | 6:30–8:30PM
Parish Hall

 

Danspace Project’s Platform 2018: Dancing Platform Praying Grounds: Blackness, Churches, and Downtown Dance, curated by Reggie Wilson, inspired an extensive Philadelphia project which featured eight Philly choreographers at three historic churches in Philadelphia. The Philadelphia project resulted in a documentary film entitled GROUNDS THAT SHOUT!… and others merely shaking produced by Deborah Thomas, directed by Gordon Divine Asaan, and curated by Reggie Wilson.

As part of Danspace 50th celebration, we are revisiting Platform 2018: Dancing Platform Praying Grounds: Blackness, Churches, and Downtown Dance, which emerged from Wilson’s ongoing research into religion, dance, and race—specifically the history of our site, St. Mark’s Church in-the-Bowery. Wilson and a team of artists and curators researched the history of the Church, revealing its completion in 1799, the year of the New York State Gradual Emancipation Act, a fact which is now incorporated into Danspace Project’s land and site acknowledgements. St. Mark’s history is summarized in Hussie-Taylor’s essay for Wilson’s Platform. 

Soon after the Danspace Platform, Wilson was invited by Philadelphia Contemporary and Partners for Sacred Spaces to recreate a new version of his Danspace Platform at historic churches in downtown Philadelphia. Grounds that Shout! (and others merely shaking) was a series of performances in May 2019 that responded to the layered histories of Philadelphia’s religious spaces and race through contemporary dance. A documentary film captures the process of working in community, using history and choreography as a point of departure. 

This program will include reflections on the Danspace Platform in 2018 and a screening of the documentary of the 2019 Philadelphia series.


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Before you visit:

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