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Events – Danspace Project
Photo of Anna Thérèse Witenberg by Luis Artemis De Los Santos | Photo of Dominica Greene by Elyse Mertz

DraftWork: Anna Thérèse Witenberg + Dominica Greene

Saturday, April 5 | 3PM

Curated by Ishmael Houston-Jones, Danspace Project’s DraftWork series hosts free, informal showings of new works in varying stages of development. This afternoon features performances by Anna Thérèse Witenberg and Dominica Greene.

Showings are followed by a reception, conversation, and Q&A between the artists.


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Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project

Anna Thérèse Witenberg is a choreographer and dancer living in New York. Her first evening length show “Heat” was presented this fall at Pageant, Kestrels, and excerpts shown at Canada Gallery in conjunction with the solo exhibition by Lee Mary Manning. Her collaboration with Shade Théret called “Mal Intent”  was presented by the Lament series and staged at the Ethnologisches Museum in Berlin. As a dancer, she has collaborated extensively with Maya Lee-Parritz, Isa Spector, Anna Sperber, Sarah Michelson, Joanna Kotze, and visual artist Nick Mauss, performing in their work at venues such as Whitney Museum, the Kitchen, the Walker Art Center, the Shed, American Dance Festival, Judson Memorial Church, and Abrons Art Center. She will be touring the EU this spring with choreographer Anna María Häkkinen on her commission for Perfoma. She is a Visual Arts MFA candidate at Hunter College.


Dominica Greene is a bi-racial Caribbean-American artist harnessing the elements, spirit, and womanness into an existence rooted in love, community, and regeneration. Residing on the unceded lands of the Munsee Lenape people, Greene creates conceptual, body-based art guided by her philosophy that dance is a ubiquitous energetic entity encompassing anything that is alive or in proximity to aliveness. Her work seeks to reflect nature, human and otherwise, as a way of highlighting humanity, our similarities and differences, and the stark similarities in our differences.

Dancers, Buildings and People in the Streets Reunion

Saturday, April 12 | 4–8PM

 

Danspace Project’s Platform 2015: Dancers, Buildings and People in the Streets, curated by writer and critic Claudia La Rocco, explored the poet-as-critic tradition; the overlapping dance lineages of George Balanchine, Merce Cunningham, and Judson Dance Theater; and their continued and complicated influence on choreographic practice today

As La Rocco recently noted in an email to Judy and Seta: “One thing I am remembering…is the extent to which this Platform was inspired by Danspace’s beginnings out of the Poetry Project, with the Natural History of the American Dancer approaching [poet] Larry [Fagin], and him crediting [poet/dance critic] Edwin Denby as teaching him to see. It’s a nice answer to the question of why are we remembering this Platform in particular—it sprang from 50 years ago, so fits right into your anniversary celebrations.”

This special reunion program will include reflections and conversations with many of the original artists, including Kaitlyn Gilliland, Silas Riener, Sara Mearns, Rashaun Mitchell, Jodi Melnick, Jillian Peña, Troy Schumacher, Emily Coates, Yve Laris Cohen, and Pam Tanowitz. The day will feature excerpts from documentary footage by filmmaker Howard Silver and performances of the work of Merce Cunningham and Trisha Brown, in addition to Sara Mearns of New York City Ballet.


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Before you visit:

Accessibility at Danspace Project
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Reggie Wilson: Some Reflections on Prayerful Platforms Film Screening and Conversation

Saturday, April 26 | 6:30–8:30PM

 

As part of Danspace 50th celebration, we are revisiting a Platform which delved into the history of our iconic venue St. Mark’s Church in-the-Bowery. Reggie Wilson’s guest curated Platform 2018: Dancing Platform Praying Grounds: Blackness, Churches, and Downtown Dance emerged from Wilson’s ongoing research into religion, dance, and race—specifically the history of our site, St. Mark’s Church in-the-Bowery. Wilson and a team of artists and curators researched the history of the Church, revealing its completion in 1799, the year of the New York State Gradual Emancipation Act, a fact which is now incorporated into Danspace Project’s land and site acknowledgements. St. Mark’s history is summarized in Hussie-Taylor’s essay for Wilson’s Platform. 

Soon after the Danspace Platform, Wilson was invited by Philadelphia Contemporary and Partners for Sacred Spaces to recreate a new version of his Danspace Platform at historic churches in downtown Philadelphia.Grounds that Shout! (and others merely shaking) was a series of performances in May 2019 that responded to the layered histories of Philadelphia’s religious spaces and race through contemporary dance. A documentary film captures the process of working in community, using history and choreography as a point of departure. 

This program will include reflections on the Danspace Platform in 2018 and a screening of the documentary of the 2019 Philadelphia series.


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Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project