Events – Danspace Project
Photo of Wendy Osserman by Steven Pisano | Photo of Concetta Abbate by Alice Teeple | Photo of Cori Kresge by Sophia Wallace

Off-Season: Wendy Osserman Dance Company, Concetta Abbate and Cori Kresge present ECHO GLASS

Thursday, February 5 | 7:30PM
Friday, February 6 | 7:30PM
Saturday, February 7 | 7:30PM

Echo Glass developed through an ongoing collaboration between composer Concetta Abbate and Wendy Osserman Dance Company, and is presented on the occasion of the company’s 50th anniversary. Choreographed by Osserman with dancers Cori Kresge and Hui Wang Zhang, the work brings movement and live music into close, reciprocal relation, with each shaping the structure, timing, and texture of the other.

The live score, composed and performed by Abbate with vocalists Jimmy Kraft, Judette Elliston, and Damon Hankoff, draws inspiration from echolocation techniques and from the ways partially sighted individuals experience the world through hearing and vibrational touch as primary senses. The music explores sound as a spatial and perceptual force—resonating through bodies, architecture, and atmosphere—and operates not as accompaniment but as an active presence within the performance.

Together, dance and music in Echo Glass invite audiences to listen with their bodies, feel movement as resonance, and consider alternative ways of perceiving space, relationship, and presence—marking a 50-year commitment to experimentation, collaboration, and embodied inquiry.


BUY TICKETS

All general admission tickets are offered at a sliding scale $20–$100, pay what you can. Please consider that ticket sales support the artist and production costs. Thank you!


Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project

Wendy Osserman, a New Yorker, has studied many dance forms including modern dance with Martha Graham, José Limón, Hanya Holm. Osserman performed as soloist with Valerie Bettis, Kei Takei, Alice Condodina, Frances Alenikoff and the Hellenic Chorodrama. She founded Wendy Osserman Dance Company in 1976 and performed nationally and internationally. Osserman has choreographed works in collaboration with outstanding dancers, visual artists and composers. She interprets current events and history with drama and humor and has been presented in dance venues including 92nd Street Y, Joe’s Pub, BAC, Dixon Place, Joyce SoHo, Symphony Space, La MaMa, and Theater for the New City. www.wodance.org

Concetta Abbate (www.concettabbate.com) is a violinist, music composer, death doula and disability advocate residing in NYC. She has won awards and residencies from New Music USA, the Rauschenberg Foundation, NYFA and SWALE Environmental Arts on Governors Island.

Cori Kresge is a NYC based dance artist, licensed massage therapist, writer, and teacher. She has been a member of José Navas/Compagnie Flak, Stephen Petronio Company, the Merce Cunningham Repertory Understudy Group, and is an authorized teacher of Cunningham technique. She currently collaborates and performs with various artists including Rashaun Mitchell+Silas Riener, Liz Magic Laser, Rebecca Lazier, Sarah Skaggs, Wendy Osserman, and Esmé Boyce. She is the author of two poetry collections, isn’t devotion (No, Dear/Small Anchor first chapbook prize, 2019) and Combustion Suite (Bored Wolves, 2023). In 2020 she founded Play With Matches Workshop, pairing artists of different disciplines together to co-mentor one another.

Hui Wang Zhang was born in Jiujiang, China and graduated from the Beijing Dance Academy in 2012. He was a principal dancer with the China Opera and Dance Drama Company in Beijing before getting a full scholarship to pursue his M.F.A in modern dance performance and choreography at the University of Utah. He received his first choreography commission from Paul Reynolds, curator of the Salt Lake City Library to present his original work at their much-praised 12 Minutes Max program in 2017. He has since presented his works at venues in NYC and abroad. He was a member of the Bill T. Jones/Arnie Zane Company from 2017-2026. You are welcome to learn more about his work at www.huiwangzhang.com 

Skip La Plante invents, builds, composes for, performs on and teaches with musical instruments built from trash and found objects. His collection of instruments explore a variety of alternative materials and tuning systems. He has led workshops and performances about acoustics in hundreds of NYC schools. He has worked collaboratively with Wendy Osserman, Joseph Chaikin, Sam Shepard, Paul Simon, Olympia Dukakis. He has performed on his original musical instruments at The Smithsonian Institution, PS1, New Music America, American Festival of Microtonal Music, Materials For The Arts, and Carnegie Hall.

Judette Elliston (they/she) is a Haitian-Canadian vocalist and composer whose work amplifies our inner worlds, exploring the emotional and ancestral histories that reverberate within. Elliston’s sound exists at the intersection of jazz, singer-songwriter, and Haitian folkloric traditions. In 2024, Elliston released their debut EP Tiny, a collection of chamber jazz songs about intergenerational healing and the beauty of chosen family. Notable performances have taken place at Dizzy’s Club (USA), Smalls Jazz Club (USA), Greenwood Cemetery Catacombs (USA), Koncertkirken (DK), PRiMi (DK), MAI/SON (CAN) and The Victoria Jazz Festival (CAN). 

Jimmy Kraft is a vocalist, multi-instrumentalist, songwriter, and composer from the San Francisco Bay Area whose work spans jazz, original music, and contemporary performance. Now based in New York City, he appears regularly throughout the city as both a performer and arranger, bringing a sharp musical curiosity and a collaborative spirit to every project. A dedicated educator as well, Jimmy approaches teaching with the same creativity he brings to the stage. After Echo Glass, you can catch him live the second Saturday of each month at Good Judy in Park Slope, presenting fresh sets of standards, bespoke arrangements, and original tunes.

Damon Hankoff is a multifarious musician. Primarily a film composer, he also performs IRL in a wide variety of settings: choirs, experimental-improvisational ensembles, early music consorts, straight-ahead singer-songwriter bands, and his own Out of Sight of Land, an ever-evolving project that draws on all these. He has trained hard on jazz piano and choral singing, but looks ever forward towards the mystery.

Photo by Hannah Mayfield

Off-Season: Amanda Krische presents Double Blade

Friday, February 27 | 7:30PM
Saturday, February 28 | 7:30PM

There are some things that happen to you where you think: “Surely, any moment now, someone is going to walk up behind me, tap me on the shoulder, apologize for the inconvenience, and guide me back home to my real life.” Double Blade is an interdisciplinary dance-theater work about the events that come before and after that moment and other such moments, about the things that are hidden, and about the stories we tell to make sense of what cannot be explained.


BUY TICKETS

All general admission tickets are offered at a sliding scale $20–$100, pay what you can. Please consider that ticket sales support the artist and production costs. Thank you!


Before you visit:

Accessibility at Danspace Project
Covid Safety at Danspace Project

Amanda Krische is a choreographer, writer, educator, and herbalist creating performance experiences and movement workshops focused on memory, ritual, and healing in individual, social, and environmental bodies. She has premiered work at such venues as the Kennedy Center, Carnegie Hall, The Public Theater, and The Kitchen and has been supported by YoungArts, New York State Council for the Arts, New York Foundation for the Arts, Grace Farms Foundation, and the Jerome Foundation. She has held residencies at Omi International Arts Center, Keshet, Lower Manhattan Cultural Council Arts Center, Perelman Arts Center, Kaatsbaan Cultural Park, and the Camargo Foundation. She served on faculty in the dance department at LaGuardia H.S., and has been a guest lecturer at Harvard, NYU, and Cooper Union. She has also developed movement curriculum and performance in collaboration with the Louis Armstrong House Museum and the Pina Bausch Foundation. She is currently an MA Candidate in the Performance Studies Department at NYU, and is a U.S. Presidential Scholar in the Arts.

Photo of Jasmine Hearn by Myssi Robinson | Photo of Okwui Okpokwasili by Luca Truffarelli | Photo of David Thomson by Ian Douglas | Photo courtesy of Joan Jonas | Photo of Stacy Matthew Spence by Iki Nagawa | Photo of Marjani Forté-Saunders by Guy de Lancey | Photo of Samita Sinha by Ian Douglas | Photo of Ogemdi Ude’s MAJOR by Fabian Hammerl

Platform 2026: Secret Gardens

Platform 2026:
Secret Gardens

March – June 2026

Platform 2026: Secret Gardens, co-curated by Judy Hussie-Taylor and Seta Morton, tends to the relationships between plants and dance; strategic seedings, subterranean root systems, medicinal blossoms, rituals and magical rabbit holes.

In the wake of a threatening economic and political climate, dance in New York City continues to survive, grow, and unfurl new blossoms. Like the underground mycorrhizal network of a forest, communities of artists and artworkers forge symbiotic connections of support to enact vital artistic transmission, knowledge production, and resource sharing. Secret Gardens gathers individual and collective blooms from our garden of artists that have planted roots at Danspace Project; each bloom, its own secret garden and a world of the artist’s making. The Platform celebrates our commitment to tend long-term artistic relationships and the dissemination of ideas that occur within and beyond our soil.

Can dance & performance, like plants, be medicine in tumultuous times?
What ephemeral and alchemical rituals are necessary to counter homogeneity?
What curative remedies can we unearth? What secrets remain hidden underground?

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