Artists’ Notes – Danspace Project

Artists’ Notes

Meredith Monk: on Singing at St. Mark’s

Singing at St. Mark’s The first time I sang at St. Mark’s Church was in the spring of 1975. Larry Fagin asked me to do a program as part of the Poetry Project. I decided to present Anthology and Small… Read more

Catherine Galasso: on “get dancing”

“I initiated this project because I wanted to see these dances that my father and Andy collaborated on together, some of them created before I was born. Remaking them is about me being able to see them live, but also about giving… Read more

A brief history of Irish Dance

At the turn of the last century dancing in Ireland was declared ‘Irish Dance’ by the founding members of the Gaelic League whose mission was to promote and preserve the Irish language, sport, and dance. Theirs was a nationalistic mission… Read more

Volmir Cordeiro on “Inês”

One day, I met a woman named Inês. I wasn’t satisfied with just looking at her – I wanted to get closer. I immediately put aside my role as an observer and began to live with this “being of flesh.”… Read more

Chris Schlicting on Body Madness

Chris Schlichting in conversation with Danspace Executive Director Judy Hussie-Taylor, from 2011′s Body Madness Platform catalogue: On ‘body madness’: “I pursue behavior of the body that cracks outside of my accepted daily conventional behavior, exploring the secret lives in the body… Read more

Variétés de Minéralogie Object

Joseph Cornell’s “Variétés de Minéralogie Object” (1939). The inspiration for Laurie Berg’s The Mineralogy of Objects (tonight thru tomorrow, 8pm). The labels beneath the four figures are: verdatre; rougeatre; noiratre; Cleopatre.

Self Portrait: Yve Laris Cohen

DESIRE Look at the erotic structure of this platform. “Blind dates.” Couplings. Actual romantic couples, past (JP + YLC) and present (RM + SR). The matchmaking is diluted by the impossibility of sexual desire between coupled artists, given what I… Read more

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