Each of the 12 artists in PLATFORM 2015: Dancers, Buildings and People in the Streets received an invitation from curator Claudia La Rocco to contribute a self portrait, of sorts, to the Platform 2015 publication. Below is Will Rawls’s response.… Read more

Each of the 12 artists in PLATFORM 2015: Dancers, Buildings and People in the Streets received the following invitation from curator Claudia La Rocco to contribute a self portrait, of sorts, to the Platform 2015 publication. “The idea is that… Read more

On Saturday we’re hosting The Bitch Tracks, a salon with Darrell Jones that is part conversation, part demonstration. In between segments of performance, Darrell will talk to Jawole Willa Jo Zollar, Ishmael Houston-Jones, Bebe Miller, and Okwui Okpokwasili about his work. But, what is a… Read more

“Choreography is a vehicle for dancing. I don’t care about beginnings, middles and ends necessarily. I like things that are too long and lopsided. Structures should be interrupted. Phrases are convenient and can be found on many grocery aisles. Everything… Read more

    “Mark Haim curated a Food For Thought in 1999 that had 18 choreographers each presenting a 3 minute piece. It was a wonderful evening at Danspace. Mark, kindly, ran his own sound; which was all on CD and possibly even… Read more

“Once upon a time, long, long, ago…(the late seventies?), David Gordon was invited to give a concert at St. Mark’s and asked me to join him.  At the time we would have begun to rehearse, my father became ill and… Read more

#tbt to November 2011 and Gerard & Kelly’s Reusable Parts/Endless Love at Danspace Project.  As the artists described the piece, “[This work] began when Gerard & Kelly encountered an exhibition at the Guggenheim Museum of Kiss, an artwork by Tino… Read more

“I overheard Wanda on a sunny day in Washington Square Park in 1980.  A pretty brown teenage girl wearing a sweater.  Sitting on a bench recounting a story to another young girl, similarly dressed.  I was seated next to them… Read more

Sneak Peek: images by Ian Douglas of Luis Lara Malvacías/3rd Class Citizen’s (T). This “post-conceptual dance” draws on Malvacías’s interest in multiplicity as a starting and end point, triggering unpredictable results. Performances run this Thursday-Saturday at Danspace Project

“When I was a girl I was fascinated by a small painting at the Houston museum of Fine arts. It was called Young Woman Powdering Herself by Georges Seurat. It was a painting of a woman dabbing herself with a… Read more