The following excerpt is from a chapter by Judy Hussie-Taylor, Danspace Project Executive Director and Chief Curator, to be included in a forthcoming anthology Curating Live Arts: Global Perspectives, Envisioning Theory and Practice in Performance (working title) edited by Dena Davida, Jane Gabriels, Véronique… Read more

Welcome to Issue #3 of the Danspace Project Journal. This issue highlights Danspace Project’s partnership with Wesleyan University’s Institute for Curatorial Practice in Performance (ICPP), a two-year program offering an MA. We are grateful to the Doris Duke Charitable Foundation’s… Read more

This past May, I presented an update on my work in progress at Danspace Project, an event co-sponsored by the Merce Cunningham Trust, and the Institute for Curatorial Practice in Performance (ICPP) at Wesleyan University. The presentation included a panel… Read more

  Danspace Project was a founding partner of Wesleyan University’s Institute for Curatorial Practice in Performance in 2011.  Over the past six years, Danspace Project has continued in partnership with ICPP as core faculty, through shaping course curricula, and through artists’… Read more

In Spring 2016, a group of artists, curators, and scholars gathered for Liveness Is Critical, an intensive ten-day residency program at the Bemis Center for Contemporary Arts in Omaha, Nebraska. I corresponded with Ellina Kevorkian, Artistic Director for Residency Programs… Read more

  Danspace Project Curatorial Fellow Jaime Shearn Coan reached out to Ali Rosa-Salas and Dyani Douze about their exciting new curatorial project, MAMI. Emerging curator, creator, and performer Rosa-Salas is currently enrolled as a MA student in Wesleyan University’s Institute for Curatorial Practice… Read more