OO-GA-LA Reimagined (The Fred Holland and Ishmael Houston-Jones 1983 Duet Danced into the 21st Century)
Thursday, February 27 | 7:30PM
Friday, February 28 | 7:30PM
Saturday, March 1 | 7:30PM
As part of recognizing Danspace Project’s 50th anniversary, Ishmael Houston-Jones will present OO-GA-LA Reimagined (The Fred Holland and Ishmael Houston-Jones 1983 Duet Danced into the 21st Century), performed by AJ Wilmore, Stephanie Hewett, and Kris Lee.
Houston-Jones writes: “In 1983 at the Danspace Project festival Contact at 10th and 2nd which celebrated the 11th year that Steve Paxton named the form Contact Improvisation, Fred Holland and I were invited to perform a duet on the Partners Program along with Steve and Nancy Stark Smith and others. Fred and I, who considered ourselves to be the Black Punks of Contact, decided to do our C.I. duet by doing everything wrong. We rehearsed in East Village bars like the Pyramid Club on Avenue A after midnight and were given a cassette tape of sound loops from Kung Fu movies compiled by composer Mark Larson. But it was Fred who named the first ‘wrong’ item in our unpublished score when he said, ‘We are Black.’ We were one of very few people of color included in the festival or inhabiting the C.I. milieu at all. The videos of the two performances of OO-GA-LA by Cathy Weis and Lisa Nelson were largely unseen after the festival until found by Karen Nelson in the early 2000s. I’ve chosen to give the Wrong Contact Score to three AFAB dancers of color who are extraordinary performers, highly skilled improvisors, and innovative DJs to Queer this duet from 40 years and bring it to a new generation.”
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Ishmael Houston-Jones is an award winning choreographer, author, performer, teacher, and curator. His improvised dance and text work has been performed in New York, across the US, and in Europe, Canada, Australia, and Latin America. Drawn to collaborations as a way to move beyond boundaries and the known, Houston-Jones celebrates the political aspect of cooperation. Houston-Jones and Fred Holland shared a 1984 New York Dance and Performance “Bessie” Award for Cowboys, Dreams and Ladders, which reintroduced the erased narrative of the Black cowboy back into the mythology of the American west. He was awarded his second “Bessie” Award for the 2010 revival of THEM, his 1985/86 collaboration with writer Dennis Cooper and composer Chris Cochrane. In 2017 he received a third “Bessie” for Variations on Themes from Lost and Found: Scenes from a Life and other Works by John Bernd presented by Danspace Project. In 2020 he received a fourth “Bessie” for Service to the Field of Dance. Houston-Jones is the DraftWork curator for works-in progress at Danspace Project in New York. He has curated Platform 2012: Parallels which focused on choreographers from the African diaspora and postmodernism and co-curated with Will Rawls Platform 2016: Lost & Found, Dance, New York, HIV/AIDS, Then and Now both at Danspace Project. As an author Houston-Jones’ essays, fiction, interviews, and performance texts have been published in several anthologies and in numerous journals and magazines. His FAT and Other Stories: Some Writing About Sex was published in June 2018 by Yonkers International Press.