…I feel like I don’t really know what it is to curate. It’s an exercise or a practice that’s parallel to how I think about creating performances or events or choreography, so perhaps it’s curation as choreography, or how I… Read more

“I don’t think there’s any way of making dance anything but dance. Dance is a time machine. I want to touch the French soldier’s calves dancing the gavotte. I want to sniff the hair of the Haitian dancer at the… Read more

“I think of DD’s dances as invitations. We, the audience and the performers, discover methods to see the world with the potential to change our relationships with and within it. It is slippery and sometimes hazy, as is necessary. The… Read more

2000 · the wrestling mask is also a flower “Dorvillier transforms herself—through stunning costumes constructed of lace, leather, lengths of red satin, and other seductive materials—into a woman, probably a professional in the sex trade, who both asserts her strength (in… Read more

“The older works are permanently situated in my past from where they continue to teach me things and remain intact like silly putty, like history. The fragments allow me to get closer to a mysterious and slippery purpose of choreography.… Read more

  First off, I would like unequivocally and with utmost affection to assert that Steve Paxton is a Grand Old Man of post-modern dance. With that said and without offering definitive proof, let me proceed by giving an example of… Read more

“What would you do with a human body to turn it into a dancer and what fodder would you feed it to dance?” – Steve Paxton #GalaTime is less than a week away and we are so excited! Don’t know… Read more

“IF” is informed by the momentous convergence happening between theoretical physics, metaphysics, philosophy, neuroscience and the wealth of body/mind practices that is bringing new awareness and understanding to the interconnectedness between material reality and human consciousness. My work is based… Read more

This weekend Lance Gries generously invited us into a rehearsal and shared some beautiful graphics for the score of his IF  Immanent Field, which premieres on Thursday. Gries holds a belief that a primary field of shared conscious energy pervades… Read more

fayedriscoll: Thank You For Coming & Modern Art, Part 1: the fabulous Sean Donovan does Edvard Munch’s “The Scream.”