by Gyun Hur “… I make the distinction between prayer versus praying… Praying is not about supplication and begging for. Praying is communicating… so that you have more information, so that you can go about your business.” -Reggie Wilson in… Read more
by Gyun Hur II. Call to_____ Call: (Tap tap tap) (blessed) be – Response: (together) (Dah dah dah dih dah) (blessed) be forever and ever Call: (Tap tap tap) (blessed) be – Response: (together) (Dah dah dah dih dah) (blessed) be forever and ever III.… Read more
by Tara Aisha Willis This space holds the weight of a beautiful dance history, one that hasn’t held our bodies—as whole beings—as well or often as I’d like to think, has held us up as precious only in a certain… Read more
by Raja Feather Kelly and Kristin Juarez Along with his design of the catalogue Dancing Platform Praying Grounds: Blackness, Churches, and Downtown Dance, Raja Feather Kelly created original artwork inspired by the Platform’s investigations and Reggie Wilson’s choreographic research process.… Read more
by Carl Paris On creative and meaning-making levels, Wilson’s process typically begins with in-depth research into a topic that interests Wilson; and may take months, or even years to flesh out.[1] At some point, he then works out random movement… Read more
Exerpt from Reggie Wilson in Conversation with Thomas F. DeFrantz Thomas F. DeFrantz: Reggie, you’re curating now! Tell me about this Platform and what you’re up to here. Reggie Wilson: The Platform fits into an ongoing thinking and mission about… Read more
by Gyun Hur “ tap tap tap dah dah dah dih dah tap tap tap dah dah dah dih dah…” “ 탭 탭 탭 다 다 다 디 다 탭 탭 탭 다 다 다 디 다 …” un-earthing —… Read more