Archive – Danspace Project

Announcement about March 2020 performances & events

A large circle of people standing on the floor of the church, facing in towards one another.

Dear Friends, For the health and safety of our community, all public performances through March 28 have been cancelled. This includes all remaining Platform 2020 events, as well as Megan Williams Dance Projects (Community ACCESS). We will offer full refunds… Read more

(PART II) Listening to “How to Catalogue a Crisis: An Afterward to Lost and Found: Dance, HIV/AIDS, New York, Then and Now (2016)” : Jaime Shearn Coan, iele paloumpis, and Samantha the robot screen reader

    In (Part I) of Listening to “How to Catalogue a Crisis: An Afterward to Lost and Found: Dance, HIV/AIDS, New York, Then and Now (2016)” : Jaime Shearn Coan, iele paloumpis, and Samantha the robot screen reader , Jaime Shearn… Read more

Listening to “How to Catalogue a Crisis: An Afterward to Lost and Found: Dance, HIV/AIDS, New York, Then and Now (2016)” : Jaime Shearn Coan, iele paloumpis, and Samantha the robot screen reader

A large circle of people standing on the floor of the church, facing in towards one another.

    What you are listening to/might listen to is a recording of a screen reader reading, “How to Catalogue a Crisis: An Afterward to Lost and Found: Dance, HIV/AIDS, New York, Then and Now (2016),” an essay Jaime Shearn Coan… Read more

Phase Transition: Aki Sasamoto and Ishmael Houston-Jones in Conversation

Set on a dark stage, an art object sits in the center. The object consists of a fog machine in front of a small table with a hole in the center where a stage light is set up underneath. Atop the table is a blown glass orb with a whiskey glass sitting at the base, the light shining a beam of white light that pierces through the glass and the dark empty space above.

  Aki Sasamoto: Phase Transition was published by Danspace Project on the occasion of Sasamoto’s performance installation, Phase Transition, presented by Danspace Project, January 9-18, 2020. Edited by the curator, Lydia Bell, and designed by Kyla Arsadjaja, the publication features writing by Sasamoto, Bell, scholar Rachel Valinsky,… Read more

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